Gallery · dc/5138js20n

Print shows Fortune, Honesty, and Honor being mutilated and beaten amid a crowd of unfortunate investors in the South Sea investment scandal.

This print was designed by Hogarth as a satire on the government of his time. Royalty, episcopy and law appear on the three thrones.

This print was designed by William Hogarth as an emblematic representation of the chances of fate or fortune. The engraved postscript explains the figures.

Hogarth's first major commission for book illustrations was for Aubry de la Motraye's "Travels." Hogarth took only the costumes and created his own poses.

One of six illustrations for a projected Spanish language edition of Don Quixote that Hogarth and other illustrators were asked to submit by Tonson, the publisher of the work. This print illustrates the…

One of six illustrations for a projected Spanish language edition of Don Quixote that Hogarth and other illustrators were asked to submit by Tonson, the publisher of the work. The innkeeper's wife and…

One of six illustrations for a projected Spanish language edition of Don Quixote that Hogarth and other illustrators were asked to submit by Tonson, the publisher of the work. Don Quixote is shown at…

One of six illustrations for a projected Spanish language edition of Don Quixote that Hogarth and other illustrators were asked to submit by Tonson, the publisher of the work. Don Quixote is freeing convicts…

One of six illustrations for a projected Spanish language edition of Don Quixote that Hogarth and other illustrators were asked to submit by Tonson, the publisher of the work. Chance directs Don Quixote…

One of six illustrations for a projected Spanish language edition of Don Quixote that Hogarth and other illustrators were asked to submit by Tonson, the publisher of the work. Two of Don Quixote's neighbors…

Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste. The gate of Burlington House, Piccadilly, surmounted by statues of William Kent, Raphael and…

A scene outside the Bell Inn; a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham). A clergyman on horseback fails to notice the encounter,…

1732 London, England

A lavishly furnished bedroom. Moll distracts her wealthy protector by exposing a breast and at the same time tipping over a tea-table so that her lover can slip quietly out of the room.

1732 London, England

A shabby room in Drury Lane. Moll is rising late, attended by a serving-woman who has lost part of her nose to syphilis in the background, the magistrate, John Gonson, enters quietly with officers to…

1732 London, England

Bridewell prison with inmates (including prostitutes and a card-player) beating hemp under the supervision of a warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant…

1732 London, England

A squalid room where Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman calls for attention for the invalid, another…

A dilapidated room with Moll's friends, mostly prostitutes, gathered around her open coffin. To left, a clergyman gropes beneath a woman's skirt, to right, the undertaker pays court to another who picks…

This print as originally made as a subscription ticket for "A Midnight Modern Conversation." Seventeen men and boys rehearsing William Huggins's oratorio "Judith".

Satire on John Rich and his new theatre in Covent Garden with a procession moving from left to right across the east end of the market square and entering the colonnade leading to the theatre. John Gay…

1732 London, England

Fairground with attractions including theatrical booths (Ciber [sic] and Bullock's collapsing on the left, and Lee and Harper's in the center), china shop, rope dancer and rope-flyer, quack doctor, peep…

1733 London, England

A drinking scene with eleven men in a paneled room around a table on which is a punch-bowl decorated with Chinese figures; wine bottles on the floor and mantelpiece and an overflowing chamber pot at lower…

This print as originally made as a subscription ticket for "A Rake's Progress" and "Southwark Fair." An audience of men and women in a theatre pit, all but one man laughing uproariously. Above them in…

A drinking scene with eleven men in a paneled room around a table on which is a punch-bowl decorated with Chinese figures; wine bottles on the floor and mantelpiece and an overflowing chamber pot at lower…

The Jacobean interior of the house of Tom Rakewell's late father with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young.

A fashionable interior with Tom, in elegant indoor dress. He is surrounded by tradespeople and servants. In the image are a gardener, dancing master, jockey holding a trophy for the race at Epsom, and…

A room at the Rose Tavern, Drury Lane. To left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table.

1735 London, England

A scene in St James's Street with Tom emerging from a sedan-chair to be arrested for debt. Sarah Young drops her seamstress's box as she offers a purse of money to reprieve her former lover.

1735 London, England

Interior of the dilapidated church of St. Marylebone where Tom is marrying a one-eyed, wealthy old woman. In the background Sarah Young attempts to enter with her child.

1735 London, England

Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice. Behind him a chaotic group of gamblers, most of whom fail to notice that flames and…

1735 London, England

A room in the Fleet Prison. Tom sits at a table while his wife clenches her fists and the jailer asks for garnish money. To left, Sarah Young has fainted and is being administered smelling salts by one…

1735 London, England

The Jacobean interior of the house of Tom Rakewell's late father with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young.

A fashionable interior with Tom, in elegant indoor dress. He is surrounded by tradespeople and servants, such as his gardener, dancing and fencing master. To the side is a musician seated at the harpsichord.…

A room at the Rose Tavern, Drury Lane. To left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table.

1735 London, England

A scene in St James's Street with Tom emerging from a sedan-chair to be arrested for debt. Sarah Young drops her seamstress's box as she offers a purse of money to reprieve her former lover.

1735 London, England

Interior of the dilapidated church of St. Marylebone where Tom is marrying a one-eyed, wealthy old woman. In the background Sarah Young attempts to enter with her child.

1735 London, England

Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice. Behind him a chaotic group of gamblers, most of whom fail to notice that flames and…

1735 London, England

A room in the Fleet Prison. Tom sits at a table while his wife clenches her fists and the jailer asks for garnish money. To left, Sarah Young has fainted and is being administered smelling salts by one…

1735 London, England

Oxford scholars, portrayed as an assemblage of heads wearing square-topped, round cloth and felt hats and expressing varieties of boredom, listening to a reader in a lectern at lower right.

1736 Oxford, England

A mock coat-of-arms with fifteen heads of doctors, three of whom, in the upper division, are identified as John Taylor, Sarah Mapp, and Joshua Ward.

A seduction scene with a young woman fending off the advances of a vigorous young man who pulls her towards a bed; on the wall a picture entitled "Before" with cupid lighting a firework.

After the seduction; the young man pulls up his breeches while the young woman clings to his arm; on the wall a picture entitled "After" with cupid pointing to a spent firework; on the floor a broken…

Scene in St Giles's-in-the-Fields with an elegant crowd leaving the French Huguenot church contrasted with rowdy Londoners outside a tavern with the sign of the Good Woman (one without a head). In the…

1738 London, England

Scene in Covent Garden with an elaborately dressed middle-aged woman heading towards St Paul's church followed by a small servant boy. To the right two young gentlemen embrace market girls while other…

1738 London, England

Scene at Sadler's Wells Theater with a dyer and his wife walking with their dog beside the New River. The wife holds a fan with a design of Venus and Adonis, the husband carries a small child, a somewhat…

1738 London, England

Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the…

1738 London, England

Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby…

Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the…

1738 London, England

Scene in Covent Garden with an elaborately dressed middle-aged woman heading towards St Paul's church followed by a small servant boy. To the right two young gentlemen embrace market girls while other…

1738 London, England

Scene in St Giles's-in-the-Fields with an elegant crowd leaving the French Huguenot church contrasted with rowdy Londoners outside a tavern with the sign of the Good Woman (one without a head). In the…

1738 London, England

Scene at Sadler's Wells Theater with a dyer and his wife walking with their dog beside the New River. The wife holds a fan with a design of Venus and Adonis, the husband carries a small child, a somewhat…

1738 London, England

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